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Zeiss Ikon Ikoflex Ic 886/16 – Post Coffee Can Style
The Zeiss Ikon Ikoflex Ic is a twin lens reflex camera which offers unique usability challenges but delivers exceptional image quality.
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Voigtländer Superb – Just Superb
The Voigtlander Superb is a beautiful 1930s TLR which was very advanced for its time. I love shooting with it, and have written my thoughts about it
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Nikkenflex – Twin focus
The Nikkenflex is a TLR which was available for a short time and is now hard to find. Two models are reviewed.
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Bolseyflex – Not much flex
The Bolseyflex is a medium format 6x6 pseudo-TLR. A very ornate simple camera which I tried out a couple of times.
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Holga 120N – The serious toy camera
The Holga 120N is iconic for producing unpredictable results. It has been a lot of fun shooting creatively with it.
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Walzflex – The slow dance
The Walzflex is a Japanese Twin Lens Reflex (TLR) from he 1950s. Aimed at the consumer, it was reviewed against modern emulsions.
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Rolleicord Va Type 1 – The middle twin
The Rolleicord Va Type 1 is a Twin Lens Reflex medium format camera which shoots a classic 6x6 format. TLRs are fun, especially with the Rollei quality.
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Pigeonflex – Bird of a feather
The Pigeonflex, a 1950s TLR camera, with vintage aesthetics, delivers quality 6x6 frames. Read about my experience with it.
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Agfa Jsolette 4.5 – When J is not a J
The Agfa Isolette range of cameras have a cult following. That includes me as I own both Isolette and Jsolette labelled cameras. The ability to shoot medium format, especially 6×6, with a camera that is small and at a stretch pocketable, is very enticing. Throw in the fact that they look lovely, and you can understand the popularity. I personally like quite a few different “folders” as you can see by another review of the Voigtlander Perkeo I. This model is the Agfa Jsolette 4.5. Agfa has used the names Jsolette and Isolette interchangeably, as the letter J referred to an I in German. There is a misconception that the…
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Ensign Ful-Vue – Is it really the full view?
When does a box camera not look like a box camera? When it is the Ensign Ful-Vue from 1946. Until then most were basically a box with a lens on the front. There were a few variants, including box cameras that had better viewing lenses and looked more like Twin Lens Reflex cameras, but still generally had a box shape. When Ensign released the Ful-Vue they moved to a very modern shape for the period, and I think created one of the most striking looking box cameras ever. I picked this camera up when I was living in London around 1999 and promptly put it on a shelf. While…
