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  • Films,  Reviews

    Kodak Ektachrome – The first time that nearly wasn’t

    February 9, 2019 /

    A story on how the first use of the new Kodak Ektachrome went, with initial impressions and review.

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    Fujifilm Natura 1600

    Fujifilm Natura (Superia) 1600 – The need for colour speed

    February 14, 2020

    Film DX Coding – A photographer’s life hack

    February 3, 2018
    Kodak Ultramax 400

    Kodak Ultramax 400 – Ultra value

    July 2, 2020
  • Cameras,  Combinations,  Films,  Photos,  Technique

    Combinations – Zorki 4 and Redscaled Film

    October 12, 2018 /

    Shooting with the Red October theme is one thing, shooting a Soviet Zorki 4 camera with redscale film is a combination that doesn’t get any more red.  This ensures that the tool is red (aka Soviet), but also the result (aesthetically). The thought of this came through a suggestion from a friend on the yearly Red October theme that is shot by photographers that appreciate cameras made from former Soviet countries.  They do have a reputation of quality issues, but also a fanatical following.  This is sometimes attributed with the unique look the glass from the Soviet factories gives photographs. Redscale is a way of modifying how colour film is…

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    Kodak Instamatic 133 – Not really instant or automatic

    February 23, 2019

    Olympus Pen S – The never-ending story

    October 22, 2017
    Olympus OM-1n

    Olympus OM-1n – Smaller is bigger

    October 20, 2021

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Popular Posts

  • Nikon F100 – The smaller professional
    Nikon F100 – The smaller professional
  • Mamiya Press Super 23 – Frustratingly Good
    Mamiya Press Super 23 – Frustratingly Good
  • Fuji GSW690III Professional – The Texas Leica
    Fuji GSW690III Professional – The Texas Leica
  • Jupiter 8 – A giant amongst the stars
    Jupiter 8 – A giant amongst the stars
  • Voigtländer Bessa I – Folding it big
    Voigtländer Bessa I – Folding it big
  • Leica M2 – The sibling classic
    Leica M2 – The sibling classic

Instagram

2023 ICF Canoe slalom - Australian Open
Heavenly rainbow.
Just picked up my Zeiss Super Ikonta 530/2, fully worked on by @viva_la_film.
Miranda Automex III. What a camera would look like when crossed with a Chrysler Valiant. A 1960s SLR which looks stunning but has a less than good reliability factor. See how I got on with it in the latest review on PhotoThinking.
Mamiya 7, with 43mm lens loaded up with Kodak Gold 200!
Three cameras of 2022 for 2023. New article on PhotoThinking.

Subscribe to Photo Thinking

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Popular Posts

  • Nikon F100 – The smaller professional
    Nikon F100 – The smaller professional
  • Mamiya Press Super 23 – Frustratingly Good
    Mamiya Press Super 23 – Frustratingly Good
  • Fuji GSW690III Professional – The Texas Leica
    Fuji GSW690III Professional – The Texas Leica
  • Jupiter 8 – A giant amongst the stars
    Jupiter 8 – A giant amongst the stars
  • Voigtländer Bessa I – Folding it big
    Voigtländer Bessa I – Folding it big
  • Leica M2 – The sibling classic
    Leica M2 – The sibling classic

Search

Instagram

2023 ICF Canoe slalom - Australian Open
Heavenly rainbow.
Just picked up my Zeiss Super Ikonta 530/2, fully worked on by @viva_la_film.
Miranda Automex III. What a camera would look like when crossed with a Chrysler Valiant. A 1960s SLR which looks stunning but has a less than good reliability factor. See how I got on with it in the latest review on PhotoThinking.
Mamiya 7, with 43mm lens loaded up with Kodak Gold 200!
Three cameras of 2022 for 2023. New article on PhotoThinking.
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